My prints explore the notion of time and landscape through a contemplative exploration of surface. The sources of my prints can come from working in the open air or expressing landscape filtered through memory. The physicality of my approach to the printing process makes the subject spontaneous and vibrant whilst capturing an intimate connection with the landscape.
I am captivated by the ancient semi-natural landscapes typical of my native west Cornwall where a blurred line exists between nature and human activity. Recent works of the Fens focus on the meeting point of land, horizon and sky, their flatness altering the perception of distance. My work has gradually evolved from my monochromatic studies by introducing colour to reflect the Fens’ ever changing mood and light. I draw inspiration from sites which have a particular sense of place; the catalyst for my most significant pieces of work.
My plates are predominantly carborundum, a technique where a mix of a binder and carborundum grit is applied onto the surface of a plate and inked up. It provides highly embossed, velvety textures and rich, dense tones. This medium allows the freedom to work on a large scale in the same way as approaching painting. To contrast the carborundum, drypoint is added to produce an incised line, characteristically thin, linear and precise. Colour is introduced by layering carborundum plates or more often realised though monoprint. I print to the edge of the paper to leave the composition as unconstrained as the landscapes from which I seek inspiration.
I was a student at Falmouth and Winchester Schools of Art and The Royal College of Art. I completed an MA in Fine Art Printmaking at Cambridge School of Art in 2009 and in 2012 was awarded the Curwen Studio prize at the Royal Society of Painter Printmakers Summer Exhibition. My prints Goonhilly Downs and White Downs State III were selected for the Royal Academy Summer Exhibitions in 2015 and 2016 respectively.
Unframed prices range from £55 to £700.